I write about pop music and fandom for a number of publications and websites, with a focus on feminist readings, the politics of desire, and experiential writing.
Since early 2017, I have been a regular contributor to The Line of Best Fit, mainly writing album reviews but with forays into tracks reviews and features. You can find all my bylines for the site here.
I am also a staff writer at pop review site The Singles Jukebox, and a full list of my reviews can be found here.
Some highlights of my music & fandom writing:
An in-depth look at Tori Amos’ Native Invader / The Line of Best Fit, September 2017
18 months with The 1975 / Tumblr, July 2017
On Mammùt’s extraordinary Kinder Versions / The Line of Best Fit, July 2017
Who cares what male rock critics think of Harry Styles? / The Line of Best Fit, May 2017
Max Martin and Five’s “Until the Time is Through” / Maxopedia, February 2017
A look back at “Presidential Suite” by Super Furry Animals / Grooves n Jams, November 2016
On collective lust and female fandom / Fuck What You Love zine, June 2016
Falling in love/lust with The 1975 in Glasgow / Witchsong, March 2016
Wanting to be/fuck Matty Healy / One Week One Band, March 2016
A week of essays on Years & Years / One Week One Band, November 2015